33 years after Dare, The Human League retain their core members, Phil Oakey, Joanne Catherall and Susan Ann Sulley, supplemented by additional members who’ve been with them longer than the 80’s version of the band lasted. People come expecting a well oiled machine with all the hits plus a couple of recent songs. I’ve never known them disappoint. There’s one surprise tonight, though: their choice of opening act. Nottingham’s Ronika is doing the whole tour. Her updated 80’s pop/disco sound couldn’t be better matched to the main act. She comes on with ‘Ey Up, Nottingham!’ Wearing Adidas shorts and dark sunglasses for her RCH debut, she’s become more confident since I last saw her at the Bodega in early summer. Her banter with the crowd…
A very slightly extended version of my review for the Nottingham Post. This is the opening night of the ‘All For The M.A.D.H.E.A.D.’ tour, which Madness warmed up for with a weekender at the seaside town of Minehead. Despite their London roots, the seaside feels like Madness’s natural home. These are songs made to be pounded out on a pier, or played through a dubious sound system on a fairground ride (though tonight, happily, the arena sound is superb). They’re the quintessential English working class band, with shades of The Beatles and The Kinks. Support comes from Scouting For Girls, doubtless brought on board to please those accompanying their parents. I arrive in time for a cover of Wings’ Live and Let Die, presumably aimed…
Yesterday we launched Nottingham’s attempt to become accredited as a Unesco City of Literature. I chair the board of the company set up to do this, which is a great honour, and a pretty daunting job. It was an even bigger honour to be asked to speak at the launch of Nottingham’s newest tram, named after the great Alan Sillitoe. Many of the guests at the launch were able to attend the naming ceremony at the Forest tram stop, chosen for the spot’s significance in Alan’s work. When we were done, we took the tram into the market square for the launch event at the Council House. 5.30 was too early for some, but there will be video of the whole event on the…
Last week, The Pop Group, this week, The Specials. Sleaford Mods might be the hottest band in Britain (too cool to even enter the Mercury Music Prize), but it doesn’t stop them playing support to their heroes. This is their first time on the main stage at Rock City and they fit. Jason Williamson’s, nonchalant ‘up yours’ attitude is a direct descendent of Terry Hall’s sour persona. Andrew Fearn’s bearded, beatific presence lightens the mood. The Specials’ Too Much, Too Young could be a template for the Mods’ aggressive descriptions of modern life’s scummier side. Jason’s intense performance in which, for once, he actually introduces the songs, wins over the early crowd with numbers liked Tied Up In Nottz, Tiswas (as played on 6Music at…
A slightly extended version of my review from the Nottingham Post, with a snippet of Martyn Boston’s photo. When The Pop Group split up 33 years ago, they had unfinished business. The band were at the avant-garde end of post-punk, performing a chunky, visceral sound which displays elements of free jazz. In 2014, they’ve said in interviews, their articulate howl of protest is needed more than ever. Tonight’s gig is in association with Campaign Against Arms Trade. It’s a brave band that follows Sleaford Mods, the UK’s coolest band, who are as intense and entertaining as ever. They do an eight song, ‘best of’ set including TISWAS, Tied Up In Nottz and, of course, Jolly Fucker. The Pop Group’s Nottingham debut brings out an…