Franz Ferdinand visited Nottingham seven times in their first three years, building up to a 2005 show at the arena. Since then, two albums, but no gigs. A fine joint album with Sparks recently rejuvenated both bands. Sparks were magnificent here last summer and hopes are high for tonight’s FF return. Fifth album Always Ascending takes the familiar template (influenced by XTC, Wire and even a little Talking Heads) with less of the pop/disco elements which left some of their audience behind. It only came out on Friday, so the busy crowd don’t know opener Paper Cages, which singer Alex Kapranos introduces with a balloon heart. In the old days, Kapranos was a cool front man and the band exuded angular, sardonic wit. These days,…

This year, the pile of CDs I wanted to include a track from but didn’t have room for was higher than the ones included. I had to compile 2017’s CD early, which means no individual sleevenotes or MP3s beyond the final three tracks this year. It also meant that the Neil Young, Morrissey, Sharon Jones and Bjork CDs weren’t out in time (Sue, who has a veto, hates Morrissey, but Bjork is on her Christmas list). One late release, Taylor Swift, edged out The XX (I couldn’t resist following Father John Misty’s TS reference with the best track from her new album). Other artists I would have liked to include are Bedouine, Nadia Reid, Laura Marling, Young Fathers, James Vincent McMorrow, David Rawlings, Feist, Juana…

Billy Bragg wants us to know he hasn’t joined the ‘Christmas Kitsch’ market. ‘I see Bananarama have got in early’. But he’s here to do his big numbers. A mass singalong of Sexuality starts the show, and a packed Rock City doesn’t just do the chorus, it knows every word and fills in the back harmonies. Billy is visibly impressed, gushing about Rock City Saturday nights and the best singing on the tour. He’s brought ‘the green monster’ on which he wrote many of the songs, reminding us of his first Nottingham visit, 33 years ago, to a packed basement club called The Garage, especially when he plays ‘The Milkman of Human Kindness’.  The guitar’s doing his back in but it’s worth it. It’s a…

  ‘It’s been a while since we passed through these parts,’ Kid Creole points out. ‘How many of you were here in 82? Your age is showing.’ Two of the Coconuts weren’t born when he played Rock City. August Darnell, 67, looks ten years younger, and still sports a natty purple zoot suit, with frequent change of hat. The band take the stage at full throttle, pumping through a strong Stoolpigeon, a terrific I’m A Wonderful Thing, Baby (‘this is from my egotistical years’) among others. The brilliant Annie, I’m Not Your Daddy (which does a bit of crucial foreshadowing in my most recent novel) is the highlight. The Coconuts, in their Hawaiian skirts, are as flirtatiously entertaining as the 82 incarnation. The six piece…

Public Service Broadcasting hardly sound like the quintessential live act. Their albums could double as the soundtrack to an installation or documentary. 2015’s impressive album The Race for Space was recently followed by an album with a less commercial but no less worthy concept. Every Valley charts the rise and fall of the Welsh coal mining industry between the 1950’s and 1980’s. Founder J. Willgoose, Esq. on guitar, is joined by Wrigglesworth on drums and newest member J F Abraham on bass. Each also plays sundry other instruments. They could be three bespectacled secondary school teachers. Willgoose, from the back of the crowded floor, resembles newsman Robert Peston, giving enthusiastic, polite introductions. Illness forced me to miss them last year, but I was determined to…