In June 2016, Shoestring Press publish ‘Provenance’, my new & collected short stories. There are eighteen, ranging from my first published piece, ‘Witchcraft’ (which appeared in Ambit  in 1989) through to four previously unpublished stories (of which one – ‘The Way It Works’ – is a substantial, five-part story), written last year. The pieces cover the full range of my work, with subjects from music to middle-age and friendship to art fraud. I’m very proud of this work and I’d be delighted if you wanted to pre-order it a discount. (£10 post-free, as compared to £12.99). Furthermore, if you order by May 9th, you will have your name listed as a subscriber in the back of the book. The subscription idea, which helps decide the print…

Funny old week, including a 37 hour journey with a thirteen hour time difference, several hours in A & E (the two may be related: got great care from a junior doctor on the eve of the strike, but not one bed was available) and a visit from China by my old friend Martin Stannard, a poet and critic of some renown, but far less renown than he deserves. He’s one of the most original, interesting, influential and entertaining poets the UK has produced in the last thirty odd years. I’ve been reading his stuff since 1988 and got to know him not long afterwards, due to his connection with John Harvey‘s Slow Dancer press. John brought him here to read and I got him…

I don’t have books of the year, as I don’t read books by year. I read a handful of new books, especially poetry,  as soon as they come out but, mostly, they pile up. I buy hardbacks that I know I’ll want to hold onto (eg the new Frantzen and Elvis Costello’s autobiography), but their high price doesn’t include the biggest expense involved in a thorough read: my time. As often I’ll wait for the paperback to come out or buy it on Kindle when I see a good deal. I don’t like reading to feel like a duty (except when it is a duty because I’m marking it or reading for other professional reasons). And I like to be partially guided by serendipity. For…

We didn’t think we’d done it. And we were OK with that. The eighteen months we spent working on our bid to become a UNESCO city of literature made so many things happen that, in a way, we’d already won. We encouraged so much creativity and civic pride, engineered numerous events and several publications. The process of putting together the bid in itself helped the city’s literature scene to become more joined up. And we made a start on the biggest task of all, using Nottingham literature to improve the city’s literacy. But UNESCO accreditation – a permanent honour – is a big ask. We knew from the start that the odds were against us. We were told that UNESCO wanted to reach into continents…